The library will now be open on Saturdays from 9am to 1pm starting January 4th. To celebrate, here is a list of new books that you can borrow.
When nighttime falls, it’s time for baby to go to sleep. In this household, that means it’s also time for mama, papa, and baby to baila/dance, canta/sing, salta/jump, and more all the way to bedtime!
Why is the ocean blue? What is the rain? What happened to the dinosaurs? It might be time for bed, but one child is too full of questions about the world to go to sleep just yet. Little ones and their parents will be charmed and delighted as a patient father offers up increasingly creative responses to his child’s nighttime wonderings.
When a carefree bunny is approached by a voracious bear in the woods, Bunny has just one request: “Please don’t eat me.”
But the bear has a never-ending list of requests, and Bunny realizes maybe Bear isn’t as hungry as he’d let on…maybe he just wants his new friend’s company for a while.This witty and poignant exploration of predator and prey will have children and parents alike roaring with laughter–and looking for their next meal.
A joyful, inclusive cast of children fly, sing, and wish their way across the pages, with everything they could ever need–a cherry if you need a snack, and if you get itchy here’s a scratch on the back–to explore the world around them.
Gavin, Randi, Scott, Trevor, and Natalie are back for seventh grade, and they have a big goal for the year: to get their teachers Mrs. Magenta and Mrs. Woods to mend their broken relationship. Although the five friends have discovered their teachers’ secret , that they are mother and daughter, this won’t be the only secret the kids find themselves keeping over the course of the school year.
Eleven-year-old Penny Rose loves creating little robots from discarded bits and pieces. She creates Sharpie from dentures, iPam from a cell phone, and Fraction from a calculator. Still, she’s lonely. When she overcomes her shyness and befriends Lark, they share a fascination with science and with making things. Soon they also share a remarkable secret: the robots are alive!
Marmalade and her crew of construction kittens are in high demand! Their latest assignment (and biggest job yet) is to build the new Mewburg bridge. But with the bridge comes the one thing that cats hate most of all—water! As the team struggles to face their fears and do their jobs, they are forced to get help from some unlikely allies. . . slobbery, car-chasing DOGS.
How do you invest a reader in a short-story collection? Begin with the promise of “a school bus falling from the sky.” This tease kickstarts the book, exciting the imagination before embarking—like a bus—on a neighborhood tour. Ten stories are told in parallel, each following different middle-graders home from school (Ronny Khuri, Booklist, v.115, n.22).
When Celine arrives in New Orleans fresh from Paris, she’s looking for a new start. It’s 1872, and options for a woman alone are limited, but Celine, who has dark secrets in her past, is determined to find a way. Celine finds herself falling in love with New Orleans, which, in the middle of carnival season, has a wild, seductive beauty. But the city has its dangers: Celine meets Bastien, a man she is attracted to but resists, who is at the forefront of a mysterious group active in the city’s underworld. And a vicious serial killer begins stalking the city (Maggie Reagan, Booklist, v.115, n.22).
Living just outside Atlanta, Allie Abraham is the daughter of a Texas-born American history professor who is Circassian. Allie has hazel eyes, pale skin, and blonde hair, and she’s always been encouraged to keep her Muslim heritage secret for safety and convenience, but when she’s out with her father, people “take one look and decide he’s clearly From Somewhere Else.” Now, feeling compelled to embrace the religion her father turned away from, she begins to explore what it means to be Muslim while encountering prejudice in the American South, including from those who don’t consider her “Muslim enough” (Publisher’s Weekly, v. 266, i. 39).
Being adopted as a baby has given Cass a good life with loving parents and the best friend ever. But now that she’s 18, she feels the urge to search for the woman who gave her life. Little by little—while still mindful of her parents’ feelings—Cass chips away at the blank wall dividing her from information she desperately needs in order to complete her sense of self. The narrative is told via two alternating voices that are rich and distinct: Cass’, as she moves through her senior year, and her 16-year-old birth mother’s, relayed in a series of letters written to the baby while she was pregnant. Their individual issues, dreams, needs, and visions are beautifully rendered and superbly shaped (Jeanne Fredriksen, Booklist, v.116, n.2).
When three delinquents hole up in an abandoned general store after their most recent robbery, to their great surprise, a letter drops through the mail slot in the store’s shutter. This seemingly simple request for advice sets the trio on a journey of discovery as, over the course of a single night, they step into the role of the kindhearted former shopkeeper who devoted his waning years to offering thoughtful counsel to his correspondents (Publisher).
Twenty years after the events of La Belle Sauvage, and eight years after those of the His Dark Materials trilogy, this second volume in Pullman’s Book of Dust series blends spy thriller, otherworldly travelogue, and philosophical musing. Twenty-year-old Lyra Silvertongue’s student life in Oxford is upended when her daemon, Pantalaimon, witnesses an incident that entangles them with a covert agency to which Malcolm Polstead belongs, impelling Malcolm to investigate a shift in the global power balance. Meanwhile, Lyra’s fascination with a logic-obsessed, daemon-omitting novel causes Pan to decamp in search of her imagination. Tracked by a young alethiometer savant named Bonneville, Lyra furtively sets out for the Levant, searching for a rumored refuge for separated daemons (Publisher’s Weekly, v.266, i.40).
Nimue’s druid mother lies dying, she charges her daughter with delivering something to the mage Merlin. The package contains the fey-created Sword of Power, aka the Devil’s Tooth, whose possession marks the One True King—or queen in Nimue’s case. Nimue, Arthur, Morgan, and their allies seek peace and a home for her people, but the Pendragon King Uther, among others, is intent on claiming the sword for himself, and Nimue knows the sword is both weapon and curse for those who own it (Cindy Welch, Booklist, v. 115, n.22).
In this third mystery featuring amateur sleuth Sloan Krause, she and her partner in crime (and in business) Garrett Strong are stocking up on a new line of craft in their small brewery after the Oktoberfest. When Kristopher Cooper, council member, runs for re-election, he promises to ban alcohol in Leavenworth. Folks in town do not like the idea. Soon, Cooper is found stabbed to death. Will Krause be up to the case?
Alharthi’s ambitious, intense novel—her first to be translated into English and winner of the 2019 Man Booker International Prize—examines the radical changes in Oman over the past century from the perspectives of the members of several interconnected families. With exhilarating results, Alharthi throws the reader into the midst of a tangled family drama in which unrequited love, murder, suicide, and adultery seem the rule rather than the exception (Publisher’s Weekly, v. 266, i. 33).
Future Tense Fiction is a collection of electrifying original stories from a veritable who’s-who of authors working in speculative literature and science fiction today. Featuring Carmen Maria Machado, Emily St. John Mandel, Charlie Jane Anders, Nnedi Okorafor, Paolo Bacigalupi, Madeline Ashby, Mark Oshiro, Meg Elison, Maureen F. McHugh, Deji Bryce Olukotun, Hannu Rajaniemi, Annalee Newitz, Lee Konstantinou, and Mark Stasenko—Future Tense Fiction points the way forward to the fiction of tomorrow (Publisher description).
In this 15th Jack Taylor novel, the Irish cop-turned-sometime private investigator is still mourning the murder of his daughter, though he has avenged her death. Meanwhile, someone is systematically killing members of the Garda, and Jack is asked to investigate quietly. Nothing is simple in a Taylor tale, however. Terry Stapleton blames Jack for the death of his father, Amy Fadden tries to frame Jack for the death of her son’s killer, and a psycho female named Jericho plots Jack’s death while taunting him with cryptic messages. Jack and Jericho take turns attacking each other’s friends before a bizarre finale brings some closure (Roland Person, Library Journal, v. 144, i.10).
The Witch Girl of Pilot’s Creek is an urban legend based on Ella Louise Ford and her daughter Jessica, who in 1931 were blamed when a baby was stillborn after the mother took one of Ella’s herbal remedies, and were burned as witches. The townsmen buried Ella in the woods and then buried Jessica under six feet of concrete in a grave surrounded by crosses. Locals say that Jessica rises from the grave on the anniversary of her death. When a former resident comes home to make a film based on Jessica’s story, he unleashes a series of events that show why it’s best to leave ghosts alone (Lynnanne Pearson, Booklist, v. 166, #2).
In this fifth novel from Giller Prize short-listed Crummey, Evered and Ada live in a shack with their parents in an isolated cove somewhere along the coast of Newfoundland. When their parents die, the children are left to fend for themselves, and with barely a notion of the outside world, they struggle tenaciously to rise above the deprivation suddenly thrust upon them (Stephen Schmidt, Library Journal, v. 144, i.8).
A Turkish political prisoner opposes his imagination to the grim reality of oppression in this sometimes harrowing, sometimes luminous memoir. After the failed 2016 coup attempt by members of the Turkish military, novelist Altan was arrested along with his brother Mehmet by President Recep Erdogan’s government and prosecuted for sending “subliminal messages” to coup plotters on a TV show, being a “religious putschist,” and being a “Marxist terrorist,” and was sentenced to life in prison (Publisher’s Weekly, v.266, i.33).
NYU history professor Berenson provides a comprehensive look at a little-known episode of American anti-Semitism in this thoughtful history. In 1928, shortly after four-year-old Barbara Griffiths failed to return home from an errand, rumors circulated in her Upstate New York town that she had been the victim of Jews who intended to use her blood for ritual purposes. That baseless theory was endorsed by both the mayor of the village of Massena and the lead police investigator, who called in the local rabbi for an interrogation. The slander was rebutted when an unharmed Barbara resurfaced the next day, explaining that she’d gotten lost and had fallen asleep in the woods (Publisher’s Weekly, v. 266, i.26).
A Human Algorithm: How Artificial Intelligence Is Redefining Who We Are examines the immense impact intelligent technology will have on humanity. These machines, while challenging our personal beliefs and our socioeconomic world order, also have the potential to transform our health and well-being, alleviate poverty and suffering, and reveal the mysteries of intelligence and consciousness. International human rights attorney Flynn Coleman deftly argues that it is critical that we instill values, ethics, and morals into our robots, algorithms, and other forms of AI (Publisher’s description).
Dutta (Bloodlines: The Imperial Roots of Terrorism in South Asia) tells the story of his life and that of his brother, Raju, both of which began similarly but continued down very different paths owing to the choices they made. Dutta explains how members of his Muslim family were victims of violence in their home country. Their crime: practicing a faith unaccepted by the majority, which resulted in their fleeing the region once the Hindus gained control in 1947. This memoir begins with the author learning about a troubling incident involving Raju, then travels back in time, detailing the author’s life chronologically, starting as a young boy who heard of daily violent acts committed against people because of their faith (Susan E. Montgomery, Library Journal, v. 144, i. 5).
In this meticulous WWII espionage history, Bloomberg UK correspondent Hutton (Romps, Tots and Boffins) relates the story of British spy Eric Roberts and the Fifth Column, a secret MI5 operation to identify Nazi sympathizers in the U.K. Posing as Gestapo agent “Jack King,” Roberts recruited more than 500 British fascists to help prepare for the German invasion of England. In reality, the would-be saboteurs were under close watch by MI5’s countersabotage division (Publisher’s Weekly, vol. 266, i.36).
How to Give Up Plastic is a straightforward guide to eliminating plastic from your life. Going room by room through your home and workplace, Greenpeace activist Will McCallum teaches you how to spot disposable plastic items and find plastic-free, sustainable alternatives to each one. From carrying a reusable straw, to catching microfibers when you wash your clothes, to throwing plastic-free parties, you’ll learn new and intuitive ways to reduce plastic waste (Publisher’s description).
In 2018, Olivia Jaimes became the first woman to write and illustrate the classic comic strip Nancy. Her fresh, irreverent take on the classic comic strip has become a sensation with readers and has earned praise from dozens of media outlets, several of which have named it the best comic of the year. This hardcover collection includes the first nine months of Jaimes’ run on Nancy, along with an introduction, essay, interview with the author, and a special gallery of Nancy fan art by the author.
Seth presents an intimate epic spanning four decades in the lives of brothers Abe and Simon Matchcard, the owners of an electric fan company in Toronto. Opening in 1997, with an elderly Abe delivering a long, captivating monologue about his successes as a salesman and ultimate failure as a businessman after the advent of air conditioning leads to a decline in demand for electric fans , the story flashes back to 1957 to focus on Simon. A much more sensitive and poetic soul than Abe, Simon endures one humiliation after another during an ill-fated attempt to prove himself a capable salesman before experiencing an epiphany that sets the course for the rest of both brothers’ lives (Tom Batten, Library Journal, v. 144, i. 5).
Williams chronicles the everyday humiliation she feels as a female in this frankly illustrated war cry. The events she recounts are simple: Williams wakes, dresses, takes the train, works, comes home, and cares for her infant daughter. Throughout, she delves into flashbacks of trauma, frustrated fury, experiences with substance abuse and sobriety, self-criticism, and, ultimately, triumphant discovery through friendship and the love of other women and their creativity. In loose-but-evocative, spare lines, often depicting only the barest contours of the body, Williams identifies the persistent harm done to women, through everything from ogling to rape, how that harm is internalized, and how women cope (Publisher’s Weekly, v. 266, i. 23).
All descriptions are taken from the publisher and/or NoveList Plus, unless otherwise specified.